Resident Musicians and More: 1.3 – 1.9

January 3, 2018

Some of our resident musicians are appearing at this event

Given our winter weather, it’s no surprise that we don’t have many visiting artists this week, though we’ll be inundated in a couple of weeks when Super Bowl activities begin. We’re fortunate, however, that many of our resident musicians have experience on national tours and in national venues, so we don’t have to wait for visitors to have great music experiences. After all, Music Lifts the Spirit



Wednesday, January 3

Jason Richards & the Wolverines Jazz Trio @ Crooners Lounge & Supper Club, Fridley. 7:30pm (No Cover, but $10 Reserved seat) Vocalist Richards would seem to be a natural for this club, as he’s been influenced by Sinatra, Dean Martin, and Tony Bennett. He’ll be accompanied by the Wolverines Trio, who are masters at providing excellent backing for vocalists.

Rose Lewis & Friends @ Jazz Central, Minneapolis. 7:30pm ($10, $5 w/Valid Student ID) Trombonist Lewis is a graduate of Lawrence University, where she was a member of the school’s Downbeat Award winning Jazz Ensemble. She’s taught elementary and high school bands, and in the 90s, performed with groups like the Stan Bann Big Band, The Ringling Brothers Shrine Circus, the Jerry O’Hagan Big Band, The Wolverines Classic Jazz Orchestra, and a host of other ensembles. She was sidelined with illness for sixteen years and is now re-entering the music scene, creating and performing original compositions. She’ll be joined by Greg Lewis, trumpet; David Milne, sax; Nathan Hanson, sax; Will Schmid, guitar; Graydon Peterson, bass; and Edmund Catlin, drums.

Also: Travis Anderson Trio w/Connie Evingson @ The Dakota, Minneapolis. 7pm ($8)

Thursday, January 4

Southside Aces “Hall Brothers Night” w/Special Guest Charlie Devore @ Crooners Lounge & Supper Club, Fridley. 7:30pm (No Cover, but $15 for a reserved seat) For 25 years cornetist Charlie Devore let the Hall Brothers Band as the house band for the Emporium of Jazz in Mendota. The Hall Brothers performed and celebrated the early jazz of New Orleans, which makes Devore the perfect guest for the Southside Aces, who also explore the genre with verve, élan, and joy.

Will Schmid Group @ The Black Dog, Saint Paul. 8pm (Tip Jar) Though guitarist Schmid is a relatively young musician, he has been gigging around the Twin Cities for the past five years, and with fellow guitarist Adam Astrup, has played at the Twin Cities Jazz Fest (winter and summer editions), and the Iowa City Jazz Festival. He’s currently in college in Cleveland, but we’re lucky enough to have him perform before returning to school. He’ll be accompanied by Jake Baldwin, tpt; Graydon Peterson, bass; and Jesse Thorson, drums. Here’s Will with Adam Astrup at the Winter Jazz Fest.

Also: Vicky Mountain @ Jazz Central, Minneapolis. 8pm ($10, $5 w/Valid Student ID)

Friday, January 5

Pete Whitman’s Mississippi @ Crooners’ Dunsmore Room, Fridley. 9:00pm ($12) Saxophonist Pete Whitman brings his quality quartet to the listening room at Crooners, where he’ll be accompanied by Peter Schimke, piano; Jeff Bailey, bass; and Kevin Washington, drums. Here they are with the addition of Andres Prado on guitar.

Solomon Parham Quintet @ Jazz Central, Minneapolis. 8pm ($10, $5 w/Valid Student ID) Tonight features the excellent trumpeter Solomon Parham, with a group of outstanding players, including: Eric Kamau Grávátt, drums; Ron Evaniuk bass: Andy Nelson, saxophones; and Phil Aaron, piano.

Friday, Saturday, Jan 5, 6

Rebirth Brass Band @ The Dakota, Minneapolis. 7pm ($40), 9:30pm ($35) Once the Dirty Dozen Brass Band began redefining Brass band music back in the 80s, other, younger bands started up, incorporating contemporary music into their repertoire. Rebirth was one of the first to do so, and has been a part of New Orleans’ brass band revival for about 30 years now. They’ve been appearing at the Dakota once or twice a year for a few years now, where there always welcomed for bringing the energy and fun of New Orleans to our cold end of the Mississippi.

Saturday, January 6

Saturday Night Jazz @ The Black Dog, Saint Paul. 7pm (Tip Jar – $10 Suggested Donation) The evening opens with a JazzINK Youth Showcase, this week featuring Liquid Vinyl: Nicholas Adams, drums; Ethan Bogle, piano; Bruce Acosta, guitar; Harry Menken, bass; Leighton Tuenge, trumpet; Thoger Boyum, alto; and Charley Menken, tenor. Then the featured group will perform at 8:30pm it’s Steve Kenny’s Group 47, and intergenerational group with Kenny, Flumpet; Thomas Strommen, tenor; Will Kjeer, piano; Adam Tucker, bass; and Alex Burgess, drums.

Tuesday, January 9

Maud Hixson: She Said/She Said @ Crooners’ Dunsmore Room, Fridley. 7:30pm ($15) Hixson’s cool-yet slightly sultry approach to singing brings to mind performers such as June Christy and Chris Conner, yet she always makes a song her own. She is also good at finding new ways to explore songs through special performances, as she’ll do tonight, exploring the songs of classic female songwriters. Here she is performing a song with words by Carolyn Leigh

JT Bates’ GRAIN Trio @ Vieux Carré, Saint Paul. 8pm ($6) If you are new in town, you may not know that drummer JT Bates has the ability to play jazz, Americana, and pop rock. He regularly performs with bands that range from Fat Kid Wednesdays to The Pines, Alpha Consumer, Andrew Bird, and the French Cellist Didier Petit. Tonight starts a January residency for his B3 organ trio, featuring Kevin Gastonguay on B3, and the ever-reliable Zacc Harris on guitar.

For more listings, KBEM provides a calendar of jazz and roots music. For further commentary on Twin Cities jazz, check out the blogs, Jazz Ink, and Bebopified

Blues, Roots, Other…

Wednesday, January 3

The Hula Peppers w/Special Guest Remco Houtman, aka Ukelelezaza on KFAI and @ The 331 Club, Minneapolis. 5pm (90.3 & 106.7FM), 7pm (331 Club – Tip Jar) Vintage Tin Pan Alley, Jazz, and Hawaiian music, from the Peppers, with guest Houtman, from Ghent, Belgium, one of the top ukelele instrumentalists in the world. Houtman is a well-known and much sought out workshop teacher and performer in Europe, Scandinavia, the U.K., Japan, Australia and beyond.

Siama Matuzingidi @ The Hook & Ladder, Minneapolis. 6pm (Free) Siama Matuzingidi has lived in Uganda, Kenya, Dubai, and Japan, and has performed with some of the biggest names in Soukous, playing melodic, dance-inducing guitar on hundreds of recordings. In 2014 he received a McKnight Fellowship, which allowed him to launch a solo career here in Minnesota. He’ll be accompanied by his partner Dallas Johnson on additional vocals and percussion, and David Tullis, of Black Market Brass on drums

Also: Paul Metsa @ The Green Lantern, Saint Paul. 8pm (Tip Jar) It appears that guitarist/raconteur Metsa will be playing a rare solo gig tonight.

Thursday, January 4

Bobby E and Friends @ Dusty’s, NE Minneapolis. 8:30pm (Tip Jar) Guitarist Bobby Eckstrand is admired by many of the area’s other guitarists, whether they play jazz, country, or rock. He’s a first Thursday regular at Dusty’s, bringing friends from all genres together to play in the big booth in the small room.

Also: Lonesome Dan Case @ The Basement Bar, Minneapolis. 7pm – 10pm (Tip Jar?) Lonesome Dan’s blues from the 30s are as down and out as you can get

Friday, January 5

Davina & The Vagabonds @ Wilebski’s, Saint Paul. 6pm – 10pm ($10? $15?) Davina and her crew regularly fill the Dakota, but the Dakota lacks a proper dance floor, so here’s a chance to fill Wilebski’s commodious space with some terpsichorean moves and gyrations. Plus, it’s early, so those of us of a certain age can get home in time for nighttime news.

Saturday, January 6

Cafe Accordion Orchestra w/Special Guest Ukelelezaza @ The Cedar Cultural Center, Minneapolis. 8pm ($18 Advance/$20 Door) CAO’s annual January concert at the Cedar will feature music from their 10 recordings, including French Musettes, Gypsy Swing, Cumbias, Movie music, and more. Opening is Remco Houtman, aka Ukelelezaza (see Wednesday’s entry) who will be collaborating with CAO as well.

Also: Cajun Jam @ The Underground Music Cafe, Saint Paul. 11am – 1pm (tip jar

Sunday, January 7

Road to Memphis Fundraiser @ Wilebski’s, Saint Paul. 1pm – 6pm ($10 Suggested Donation) Help to send Javier Matos and the Ken Valdez Band to Memphis for the International Blues Challenge. A host of performers will help encourage you to take part in a bake sale and 50/50 Raffle. Performers include the two acts going to Memphis as well as past participants, including Mike Munson and Mikkel Beckmen, the Mark Cameron Band, Scottie Miller Jimmi Langemo, Annie Mack, Davina Lozier, Sugar Chuck Lacey and the IBC All Star Band.

Also: Charanga Tropical @ The Icehouse, Minneapolis. 5pm – 7pm ($7) Late afternoon salsas and charangas for your dancing pleasure.

Monday, January 8

Cactus Blossoms Residency @ The Turf Club, Saint Paul. 7pm ($15) The tight musicianship and brotherly harmonies of the Cactus Blossoms bloomed at the Turf Club during an 18 month residency back in the day. Folks of all ages would stop by to dance to the groups take on country music of the 50s and 60s. Since then they’ve toured with some of the bigger stars in today’s country music and released a well received album on Red House Records, which includes a track featured on the new Twin Peaks. Now they’re back at the Turf for the month of January.

Also: New Riverside Ramblers Cajun Dance @ The Eagles Club, #34, Minnapolis. 7:30pm ($8)

Monday, Tuesday, January 8, 9

We Can Be Heroes: David Bowie Tribute @ The Dakota, Minneapolis. 7pm ($30, $35, $40) This tribute to the trail-blazing musician and champion of self-expression by a bevy of talented Twin Cities musicians features the excellent vocals of Julius Collins; as well as drummer Michael Bland; guitarists Jeremy Ylvisaker and Ryan Smith; Cory Eischen on keys; along with Katie Gearty and Rachel Holder on vocals.

Early Alert: Wednesday, January 10

Eric Clapton: Life in Twelve Bars @ The Trylon Microcinema, Minneapolis. 7pm ($12) The film traces his career through The Yardbirds, Cream, Blind Faith, Derek and the Dominos and his solo years, telling the stories behind his through archival footage and interviews with folks such as his grandmother, former wife Patti Boyd, George Harrison, and others. Since this is a small venue, its’ recommended to make reservations ahead of time. Here’s the trailer.

For a more comprehensive listing of blues (and some roots) events, see the MN Blues Society calendar. For a comprehensive listing of Cajun and Zydeco events, see the Krewe de Walleye calendar.

Steve Kenny’s Group 47

July 28, 2014

Veteran trumpeter/composer Steve Kenny is one busy musician. He’s currently playing in The Illicit Sextet, The Steve Kenny Quartet, What Would Monk Do, and Steve Kenny’s Group 47, the last of which is celebrating the release of an album, Straight to Vinyl, at the Icehouse this evening. Besides Kenny, the group consists of four college aged musicians: Will Kjeer, piano; Thomas Strommen, sax; Adam Tucker, bass; and Alex Burgess, drums. This group of young lions exhibits the creativity and cohesion usually found in groups with much more experience.

Steve Kenny. Photo by Andrea Canter

Steve Kenny. Photo by Andrea Canter

I had a chance to talk with Steve about Group 47 and the All Originals Jazz Series, a ten-week series he is curating at Studio Z every Thursday during the summer. This post will cover Group 47, while our discussion about the Jazz Series will be posted later this week.

LE: You’ve become quite the busy person these days.

SK: That’s true. Maybe it’s a perfect storm or maybe it’s the way I like to operate. I’m thinking ahead to the things that will be happening in Jan and Feb right now. That’s way, when the dates roll around it’s easier to book people, a studio is already booked if I need it. I had it figured out in the 90s and now back to that thinking that way.

LE: Why such an approach?

SK: I like to play some pretty serious music in public at least one a week, and that takes lots of planning. I play trumpet, and for that particular instrument, people don’t call you. It might be different for a rhythm section player. People don’t call trumpet players for modern jazz gigs, so I figured out you have to be very creative. And now, with the club scene getting more challenging, it takes more self-promotion and effort to make sure there’s a show every week or every couple of weeks.

LE: How did Group 47 come about?

Group 47 at the late, lamented Artists' Quarter

Group 47 at the late, lamented Artists’ Quarter

SK: It came out of the fact that for 5 or more years, I had the privilege of playing the early gig at the AQ. The group was known by a variety of names. The way things progressed; it started as a loose, jam session, and as years went by there was a tendency to push away from pure jam to incubating some kind of group. Then we found out the club was going to close.

At that point, it became: let’s see if we can bootstrap something that can exist outside of the club. Right around that time I met Will Kjeer on street. While I was warming up outside, and he walked up and introduced himself, claiming he was a pianist who could play jazz. I started asking what tunes do you know, to find out how successful it would be to bring him up. After talking, I said come on down. He came down, and played great. I asked him if he would come back, and every time he returned he was better. As he got his wherewithal, his true abilities came out – holy crap. After a year, he’s improved so much – it’s crazy. He plays as well as anybody in town and this is a piano town.

LE: How did you find the other players in the band?

SK: When playing free gigs, a lot of established players aren’t going to play. Many did come down, but I was looking to shift to a steady membership for the group. As I approached players who sat in every week for the next 6 months, the membership changed according to whoever was willing to play. It was happenstance. Good ones stayed, what we ended up with was the group. It’s a band that can play on the same bill with any band in town and I’m really proud of it. And they’re monster players, the likes of which people don’t even know yet.

LE: How did the concept of the album originate?

SK: With Will joining we started writing. Six months before club closed we changed the name of the group. Then we booked studio time, played the Dakota, a college concert and other venues. We got enough material in recording sessions for Straight to Vinyl.

Straight to Vinyl happened in bassist Adam Tucker’s studio, where they have a track record of doing vinyl. We decided to record in the round, originally to 2 inch analogue tape and then to vinyl. There is no actual editing, just selecting the order of songs. No editing of beginnings, ends, no pitch correction. Ignoring the CD format because it’s a dead format. Except for radio stations, many devices no longer have CD drives. We made sure that the release is available in every digital format, iTunes, Wav files, CD baby, MP3, etc. Scary digital precision is also available. And of course the vinyl version with nice artwork, real liner notes, all the touch feely things we like about vinyl.

Note: Steve Kenny’s Group 47 will be celebrating the release of Straight to Vinyl at the Icehouse in Minneapolis Monday evening, July 28 at 10pm. Copies of the album will be available for sale.

You can also hear the group as part of the All Originals Jazz Series at Studio Z on Thursday, August 21st at 8pm.

Transitions and Traditions. Music: 4.2 – 4.8

April 2, 2014

images-1The big news this week is the confirmation of rumors that The Dakota will be leasing the old Artists’ Quarter space in the basement of the hamm Building in downtown Saint Paul. Reports are thea there will be asmall kitchen installed and the programming will include more than jazz. I imagine that some touring jazz acts like Tom Harell, and other acts that wouldn’t fill the Dakota would be booked into the new space, which is as yet, unnamed. This week’s music also features some groups and artists in transition, as they collaborate with new partners, perform in new venues, and otherwise seek to advance their music.

On a personal note, KFAI is in pledge drive mode, and I will be asking folks to become members during my show this Saturday morning from 10:30am – Noon. I’ll be doing a phone interview with drummer Matt Slocum. It would be gratifying to get some support from those of you reading this.

On to the music for the week.


Wednesday, April 2

Foreman, Felly, Schmidt, & Mussselman @ The Black Dog Coffee & Wine Bar, Saint Paul. 7:30pm (Tip Jar) This is a quartet of relatively young musicians with enough experience to create inventive and melodic music base on songs they like, whether modern jazz, alt-pop, or indie-rock: Andrew Foreman, bass; Dave Felly, guitar; Zach Schmidt, drums; and Dan Musselman, piano.

KCOB Trio @ Jazz Central, Minneapolis. 8:30pm (Donation – $10 suggested) Drummer/percussionist Davu Seru leads Casey O’Brien, bass; and Nathan Hanson, saxophones; in a concert that allows plenty of give and take for questions from the audience. Given the talents involved, the choice of music will undoubtedly be wide-ranging and somewhat free.

Emily Davis & Robert Bell @ Ingredients Cafe, White Bear Lake. 6:30 – 9:30pm (No cover) Emily sings and Robert plays guitar for your enjoyment as you have dinner or sit at the bar and have drinks.

Thursday, April 3

Jon Wood & Connie Olson @ Jazz Central, Minneapolis. 7:30 – 9:30 (Donation) It’s vocalist night at Jazz Central, and tonight, curator Maryann Sullivan brings us two vocalists. Jon Wood is a guitarist/vocalist who will be performing the first set and then accompanying Connie Olson for a second set of songs from the Great American Songbook. Olson is an accomplished singer who has been heard on many commercials and has worked with folks like the Brian Setzer Band, The Peter Duchin Big Band, and musicians from the bands of both Madonna and Prince. Here’s Connie singing from a few years ago.

Friday, April 4

Vicky Mountain & James Allen @ The Wine Market, Mendota Heights. 5pm – 7pm (Free) It’s a free wine tasting while superb vocalist Mountain and sympathetic accompanying guitarist Allen serenade you with standards and some jazzified rock n’ roll oldies.

Steve Kenny’s Group 47 at the Black Dog Coffee & Wine Bar, Saint Paul. 8pm (Tip Jar)  Trumpeter Kenny has assembled a group of young musicians (a couple are in high school), and like many band leaders back in the day, is both teaching and learning through his association.   Though they’ve been working on a album (vinyl only!), tonight’s show will focus on standards and tunes that aren’t on the album.

Sound Skirmish @ Jazz Central, Minneapolis. 8pm – 10pm (Donation) This is the Young Artists’ Showcase, presented by Jazz Police, which used to be held at the AQ. Tonight features a quartet: Patrtickl Adams, piano, from Edina; Levi Schwartzbert, vibes, from Southwest HS; Drew Stinson, bass, from Southwest HS; and Ben Ehrlich,m drums, from Wayzata.

Saturday, April 5

Pippi Ardennia’s PipJazz Live, feat. The Dakota Combo @ The Capri, Minneapolis. 7pm ($25, $10 Student) Extraordinary vocalist PIppi Ardennia opens her fourth season of family-friendly concerts with a new twist, taking them to alternating venues. Tonight she’ll be at the Capri Theater in North Minneapolis, and as usual, will have a special guest. This time it’s the Dakota Combo, a metro-wide ensemble of talented high school musicians selected through open auditions. (Full disclosure: I chair the Foundation that sponsors the Combo). Here’s Pippi at the TC Jazz Festival a couple of years ago.

Lila Ammons’ Voices of Influence @ Honey, Minneapolis. 7pm – 9pm ($10) Ammons will be singing songs from a variety of her influences. As she puts it: Bessie Smith to Sarah Vaughn. She’ll be accompanied by Ted Godbout on piano, and special guest boogie boogie pianist Axel Zwingenberger for some numbers.

Saturday, Sunday, April 5, 6

Charmin & Shapira & Friends Present Bop to Bossa @ The Black Box Theater, Bloomington Center for the Arts. 7:30pm Sat, 2pm Sun ($19 Adults, $17 Seniors, $13 25 & under) The name says it all. It’s an exploration of the common ground between bebop of the late 40s and 50s and Brazilian bossa novas. Helping out will be Paul Harper on sax and flute; Tom Lewis, bass; and Nathan Norman, drums. Here’s Charmin Michelle and Joel Shapira doing a classic bebop tune.

For a comprehensive listing of Jazz, go to the Twin Cities Live Jazz Calendar and the KBEM Calendar, which also features some blues and roots listings. For further commentary of Twin Cities Jazz, go to Jazz Police,Bebopified, and JazzInk.


Blues, Roots, and Other…

Wednesday, April 2

Mary Leinfelder & Friends on KFAI and @ The 331 Club, Minneapolis. 5pm (90-.Fm & 106.7FM) and 7pm (331 Club – tip jar) It’s about time that songstress Leinfelder headlined her own group. She’s been sitting in with folks like Willie Murphy, John Beach, Dave Ray, and Papa John Kolstad for years and years. Tonight she’s joined by Jim Ouska, guitar; Jim Chenoweth, bass; Kory Badertscher, drums; and Tom Cravens, keys. Tune in to 90.3 or 106.7FM during the 5 o’clock hour to get a preview, and head to the 331 Club at 7pm for the real deal.

Steven Hobert & Lynn O’Brien @ Bryant Lake Bowl, Minneapolis. 8pm ($10) You may know Hobert from his accordion work with Lulu’s playground, or his piano work in any number of other local ensembles. For one so young, he has an impressive resume: Glenn Miller Orchestra, 5 by Design, and a number of symphony orchestras. His keyboard work is often impressionistic, and sometimes whimsical. He’ll be joined by clear-voiced singer/songwriter Lynn O’Brien, who studied with Bobby McFerrin and is a board-certified music therapist.

Thursday, April 3

Sierra Leone Refugee All-Stars @ The Cedar Cultural Center, Minneapolis. 7:30pm ($22) This is a group with a compelling story: one that speaks to the redeeming power of music. Forced to leave their homes in Sierra Leone during the 1990s because of a bloody, horrifying war, members of the group found themselves in a refugee camp, where they met and proceeded to make music to entertain other refugees. They moved from camp to camp, were the subject of an award-winning documentary, and exploded on the world music scene after the release of their debut album in 2006. Their music is a combination of old school reggae, Afrobeat, and Congolease soukouss, which means it’s highly infectious and danceable. Extra bonus: DJ Salif Keita, from KFAI’s African Rhythms, will be spinning tunes before and between sets. Here’s a sample of their infectious music.

Friday, April 4

Big George Jackson and Curtis Blake with the Dan Schwalbe Blues Band @ Harriet Brewing Tap Room, Minneapolis. 7pm ($5 after 7pm)  Big George has a big voice, well suited to John Lee Hooker-like boogies. He’s a star in Europe, and should be a star her in the US, so count your blessings that you can see him at the Tap Room. He’s on at 9pm, while ace harpman Curtis Blake joins guitarist Dan Scwalbe and his band for some more first rate blues 7pm. Big George at 9pm. Looks like the weather still won’t be warm enough to open the doors at the Tap Room, so be advised that seating is somewhat limited.

Adam Levy, Bethany Larson & the Bees Knees @ New Century Theater, Minneapolis. 7:30pm ($15 – $45) Here’s a chance to check out a new, intimate venue in town. Adam Levy is a guitarist who’s work with the Honeydogs has earned him a national reputation, and who has shown a propensity for inventive collaborations with other musicians. Bethany Larson sings county-ish songs of heartbreak. The Bees Knees will be taking a hiatus after this gig, so it’s your last chance to see them for a while.

Lamont Cranston Band w/Bruce McCabe @ The Dakota, Minneapolis. 8pm ($10) Roadhouse blues gets an upgrade as this hometown crew brings some “Upper Mississippi Shakedown” to the tony environs of the Dakota.

Saturday, April 5

Rena Haus Trio @ Hell’s Kitchen, Minneapolis. 6pm – 9pm (No Cover) A nice evening gig at the Kitchen for rootsy, bluesy Rena and her trio. She’s a stellar writer, with a flair for the humorous and an ability to speak to everyday concerns. check her out.

The Eddies @ The Hat Trick Lounge, Saint Paul. 8pm ($7) These five singers always show up on my radar, partly because they’re approach to singing (and just a little playing) is so warm and refreshing, and partly because they always involve the audience. The songs are familiar and/or easy to sing along with, and range from Bob Marley and Billy Joe Shaver to sea chanties and songs of murder.

Sunday, April 6

Road to Memphis Competition @ The Amsterdam Bar & Hall, Saint Paul. 1pm ($10) This is the competition for solo and duo acts, and will include Wisconsin Bryan Johnson, Paul & Bambi, Doug Otto & Hurricane Harold, Brother Sun & Sister Moon, and “Duckshack Dave” Florine.  Winners will get to represent Minnesota at the International Blues challenge in Memphis in January, 2015.

Tinariwen with the Melodic @ The Cedar Cultural Center, Minneapolis,  7:30pm ($35) Another African band comes to the Cedar this week, this time bringing the hypnotic sound of Desert Blues. Tinariwen hail from the Sahara region of Northern Mali and play guitar driven music based on traditional Tuaregsongs as well as regional influences such as Berber music, electrified Rai, and traditional Malian music.

Sunday, Monday, Tuesday, April 6,7,8

Lalah Hathaway & Ruben Studdard @ The Dakota, Minneapolis. 7pm ($40, $45, $50), 9pm ($35, $40, $45) An evening of classic soul and elegant rhythm and blues. Hathaway, the daughter of soul legend Donny Hathaway, has been performing for over 20 years, and most recently won the 2014 Grammy for Best R&B Performance. Studdard is the 2003 American Idol winner who has turned that win into a successful career of gold and platinum records in both pop and R&B.

For a more comprehensive listing of blues (and some roots), see the Minnesota Blues Society Calendar. For a comprehensive listing of Cajun, Zydeco, and Swamp Pop events, see the Krewe de Walleye Calendar.

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